Sunday 20 January 2013

Assigned Tasks

Below are the tasks each of us in the group have been assigned.

Me



The Director, Co-editor, Head of Props, Camera operator, Storyboard creator, Advertisements and Actor.

Daniel:


Daniel is the Director, Co-editor, Head of sound and music, Camera operator, Set designer, Writer and Actor.

 Lucy:


Lucy is the Head of editing, Camera operator, Costume designer Locations expert and Actress.


As people can see it lists us all as actors/actresses we were advised that we shouldn't do this but we felt as a group we should do this as we know exactly what we what in the OTS. 




Locations We Will Shoot.


This is where we are going to film Lucy lying dead under the light of the lamp post, we hope this will create the effect of the film being based in an urban setting.








This is a picture of my friend Jack's house where we will film the rest of the OTS, he has allowed us to use his back garden and shed.

Group Discussion 1

 This Post is to show who i have chosen to work with in the making of a typical noir film OTS and who they are playing/ the characters were inspired by.







Daniel Osborne- will play Leon, the henchman of the main villain Christopher. In comparison to our character we believe he is most similar to "Stu" in the first Scram movie.

 My character's name is Christopher and he is the main villain, we found that he compares to "Billy" in the first Scream movie as the two characters both have similar motives and are driven in the same behaviour.



Lucy Easton- will play a femme fatale named "Scarlet" she helps the two villains by luring their victims to them, she does this as she is being blackmailed by Christopher but she is a dangerous girl. Lucy's character compares to "Rita" from Mulholland Drive.


Ethan Rundle- will play Jonathan a young and troubled journalist who stumbles upon a scandal at his local college. Ethan's character compares to "Eddie" from Red Riding 1974 as they are both journalists who stumble upon big stories by mistake.




This is a picture of some notes me and Daniel wrote during our first group discussion, we had filmed the meeting but after we filmed we found out there was a problem with the tape.





Monday 7 January 2013

Sin City Scene By Scene OTS Analysis Part 2

Scene 6: This scene shows the characters first embrace as they kiss after the male whispers into the female's ear. The scene has been edited into an animation form this is to show the white silhouettes combined as one. This scene is meant to decieve the audience as it shows the characters to be in a romantic embrace in contrast as to what happens later. The buildings behind them are also symmetrical as if everything is perfect.

Scene 7: The next shot is a close up of the male's face as he shoots and kills the female. The rain that is seen falling is used to show the character's remorse, remorse to the fact that he had just shot her. The character positions his head at an awkward angle and his mouth open witch could signify a sigh of regret. The prop of the silenced gun is shown in almost a monochrome manner to reinforce as if to make it clear as to what happened to the woman.

Scene 8: The next scene is shown from a high angled shot looking down on the characters in their final embrace. The male looks to the sky this shows that he is asking for redemption and almost as if he is seeking guidance, he also expresses regret, the femae is completely powerless in this scene as she is dead but the male is still holding her which signifies he still holds control over her as he is still holding the gun which emphasizes his authority.

Scene 9: The next shot is a crane shot which pans around the city which is made using CGI to replicate a tall bustling city, the zoom out shows that the crime is insignificant in this huge city which is built on crime and corruption. This then contrasts from earlier as it showed the an as playing an important role in the city but is in fact as powerless and insignificant as the female. The high angled panning also shows that it is now a subject to change.

Scenes 10 and 11: The camera then pans out to show the buildings forming the shape of the title "Sin City". The title has been further edited to look as though blood is seeping through the vein like roads into the movie title itself this then makes the title completely red, this introduces and sets the tone/mood of the movie to the audience.

To Watch The Opening Click The Link (Must Have Youtube Access):

Sin City Scene By Scene OTS Analysis Part 1


Pre-Intro: Before the title sequence begins, during the logos of film companies, the audience can hear the sounds of police sirens, car engines and the sound of saxophonic music. These are all aspects to the genre "film -noir. These help set the scene for the audience, as they piece the three aspects together, the saxophonic music makes the audience think of a time period like the 30's this music would be popular, the car engines suggest the setting is a busy, bustling city and the police sirens deliver the theme of crime to the film which is a key aspect to the 'noir' genre. The engine and sirens are diagetic sounds whereas the saxophone music is non-diagetic.

Scene 1: From the fade in to black, the setting is confirmed to be a city at night. The shot is a high angled hot that introduces a female character, this shot could impose that she is weak or vulnerable. She walks to the edge of a balcony looking down upon the huge city which could suggest that this tiny character is so insignificant to this vast city scape. The film is shot in black and white (as many "noir" films were in the past) but there is an emphasis on the woman's dress in red, this is to show she is to be focused on, the colour could suggest that she is dangerous and could imply that she is a potentinal femme fatale, an attractive sudctive woman who will ultimately bring disaster to a man who is involved with her, as her dress is open and revealing.

Scene 2: During the image swap a male character's voiceover is introduced, he speaks in a calm and crisp voice which could indicate that he is a dangerous character. Another character is introduced as he walks towards the female character. The new male character's appearance (from his suit and gesture) confirms he is the same man in the voiceover. His face is covered in dark lighting this is a technique called chiaroscuro it is the manipulation of the colour black against white to create an eerie effect and makes him seem mysterious. The effect is used to cover half of his face and creates the opportunity to emerge from the shadows and emphasize the female's vulnerablility, the effect also makes him seem powerful and more dominant than the female. He then walks over to the female and the chiaroscuro effect is now more evident as this creates focus on what he is reaching for in his pocket.

Scene 3: The next shot changes to an over-the-shoulder shot and shows the first confrontation between the characters face to face. From the female's face the audience can see that she has not met this man before, the over the shoulder shot makes the male almost entirely silhouetted which gives the effect that he towers over this tiny insignificant woman, you can also see the city in the background which gives it an urban feeling, the figure looks threatening and the lighting creates tension and therefore foreshadows an act of crime or violence created in the suspense. This also improves the chance of the female being a femme fatale.

Scene 4: The next shot is a close up of the male's hand through an exchange between the two for a light for a cigarette. The close up of the flame indicates danger, the male enforcing it upon the female this can be backed up as he earlier withdrew the lighter just like he would a weapon. 

Scene 5: The next scene shows the flame meeting the cigarette in the woman's mouth, the light from the flame makes the female's illuminate just as the male character mentions her eyes. They glow a shade of green; this is used to represent greed as it is the same colour of American money. The theme of greed is common within a film noir movie, the effect happens as the male says he can sense something in her eyes this could indicate to the audience he can sense her greed.




James Bond Opening Intros

Conventions of a Bond Intro: 

Ever since the first James Bond movie in 1962, Dr. No, there has been a pre-title sequence teaser, within this teaser there will be two conventions they are: Bond will be either featured with an attractive female or he will be on a mission that is to the story of the movie, although it might not be directly connect with the plot of the movie. The second convention is that Bond will either have spectacular car chase or make a daring escape from impeccable danger.
 After the pre-title sequence finishes it is followed by a very particularly designed title sequence that fits with the theme of the movie. This will feature a original track written for the movie performed by a popular artist at the time of its release for example the new Bond movie, Skyfall feature a track performed by Adele. During the title sequence an array of silhouetted women dancing and performing stunts while explosions and gunshots go off, the intensity of the visuals increases as the song continues.
 These conventions have stayed throughout all the Bond movies as it is something the audience have become familiar with and expect from a Bond movie now.
The difference in the modern Bond intros are that since film makers now have access to modern technology the intros have become more modern and now they can combine live action with animation. Below are two different Bond titl sequences from a past movie and a much more modern, the first is "From Russia With Love" contrasted to the intro from "Casino Royale".
http://www.youtube.com/watch?v=Y952TRNBvDw

http://www.youtube.com/watch?v=Eje28TK4D00




Casino Royale OTS Analysis

Casino Royale:

Plot:

James Bond (Daniel Craig) is promoted to double "O" status and is sent on a mission to infiltrate a casino poker game and must defeat the ruthless Le Chiffre and force his his spymasters to "retire" him. But Bond's attraction to a beautiful female agent leads him to danger at every possible corner.

Opening Title Sequence:

In the opening shot a car pulls up to a multiplex building, in the next shot an official looking man takes the elevator to his office there Bond is waiting for him, during a series of shot reverse shots the two have a conversation about betrayal, in a separate jump cut Bond is seen fighting with another man in a restroom, as the shots cut between the conversation and the fight Bond shoots the double agent as he reveals he has been promoted to double O status upon getting his first two kills, the narrative shows the two kills. The intro is filmed in black and white this is done to show a past event but it fits with the main conventions of a typical film noir, as does the use of smoke to create an atmosphere of mystery. Another aspect that fits a film noir is that at the beginning the cast is all male as in a typical film noir the anti-hero is present with other male characters and does not meet the girl next door or femme fatale until later on in the film. Bond and the double agent are both wearing long trench coats which is reminiscent of the fashion of the older film noirs even though trilbies are not worn. Another convention used is the use of a broken narrative as film jumps between two stories at the same time and not shown in chronological order. As with the regular Bond intros is showns the main stream company, director and main stream studio that produced and shot the film this is done as it complies with the industry.

To Watch The Intro Click The Link Below (Must Have Youtube Access) :
http://www.youtube.com/watch?v=6ecuov3oB9A


Mulholland Drive OTS Analysis


Mulholland Drive:

Plot:

A beautiful woman riding in a limousine along Los Angeles' Mulholland Drive is targeted by a would-be shooter, but before he can pull the trigger, she is injured when her limo is hit by another car. The woman stumbles from the wreck with a head wound, and in time makes her way into an apartment with no idea of where or who she is. As it turns out, the apartment is home to an elderly woman who is out of town, and is allowing her niece Betty to stay there; Betty is a small-town girl from Canada who wants to be an actress, and her aunt was able to arrange an audition with a film director for her. Betty befriends the injured woman, who begins calling herself "Rita" after seeing a poster of Rita Hayworth. While Betty's audition impresses a casting agent, and she catches the eye of hotshot director Adam Kesher , Kesher's producers and money men insist with no small vehemence that he instead cast a woman named Camilla Rhodes. As Rita attempts to put the pieces of her life back together, she pulls the name Diane Selwyn from her memory; Rita thinks it could be her real name, but when she and Betty find a listing for Diane Selwyn and visit her apartment, they discover the latest victim of a mysterious killer who is eluding police detective Harry McKnight. Rita's emotional identity soon takes a left turn, and it turns out that neither woman is quite who she once appeared to be. 
 http://www.rottentomatoes.com/m/mulholland_dr/

Opening Title Sequence :

In the opening shot there is a group of men and women dressed in 50's clothing dancing, then we see a woman crowned the winner of a competition, in the next shot it is filmed in a first person POV shot as all we can hear is heavy breathing and see the character grab hold of a pillow, in the next shot the viewer is looking in the perspective asthough though they are in a car, the credits roll past like signposts, it then fades to a female character sitting in limo next to two heavy built men, she is escorted out of the car where guns are drawn on her, in a wide shot a car being driven recklessly by teenagers crashes into the limo.  The lightening used is very dark which is very common in a film noir as it makes the audience think of mystery and even crime. The femme fatale is present during the opening the viewer can identify her with her bright red lipstick, it is a very deep red as this represents danger to whoever crosses paths with her. The types of cars used is also common in film noir's as they show that the person is sophisicated and doesnt require an expensive vechile. Another aspect that is seen is the heavy use of smoke and fire, this can represent uncertainty of a situation as the whole screen is in one part completely covered and leaves the audience wondering if anyone had survived. One thing that is not common in a film noir (like Red Riding 1974, see below) is that is is filmed in colour

To Watch The OTS Click Here (Must Have Youtbe Access):
 http://www.youtube.com/watch?v=2cb5XpIBqQA